NORM LEWIS – NJPAC In Your Living Room (Thursday, Dec 31 at 12 a.m.)
By Mabel Pais
Norm Lewis and his holiday shows at ‘Feinstein’s/54 Below’ have become a New York City tradition over the past five years and this year will be no different as Broadway’s charming and acclaimed leading man returns to perform a very special concert this year—online!
Each December, Norm’s festive sold-out shows help ring in the season and audiences travel from across the globe to join in the hottest party in town. This year, NJPAC brings Norm and his holiday cheer directly from Broadway’s Living Room into your home. Norm will be joined by his swingin’ band: Musical Director Joseph Joubert on keyboards, George Farmer on Upright & Electric Bass and Perry Cavari on Drums & Percussion. He and the “boys” will perform material from past shows, songs from ‘The NORM LEWIS Christmas Album’ and some new songs he’s excited to debut for you as he reflects on 2020.
For more information, visit events@broadwayworld.com
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HIP-HOP CINDERELLA – MUSICAL
“We are thrilled with the positive response. Virtual Theater, Rap, Hip Hop, TikTok, Pop, combined with Musical Theatre are exciting new voices for female empowerment and diversity.” – Linda Chichester: Co-Founder, HipHopMusicals.com
“HIP HOP CINDERELLA – A NEW MUSICAL”
A FAMILY-FRIENDLY VIRTUAL THEATRICAL EXPERIENCE
FEATURING ALUMNI STUDENTS OFTHE ROSETTA LENOIRE MUSICAL THEATRE ACADEMY
NOW STREAMING THROUGH JANUARY 31, 2021
Amas Musical Theatre (Donna Trinkoff, Artistic Producer) in association with HipHopMusicals.com (Linda Chichester and David Coffman, Co-Founders) announce that they are extending “Hip Hop Cinderella – A New Musical,” a family-friendly intergalactic romp with a cool, hip hop vibe, laughs, adventure and unforgettable songs. This virtual theatrical experience had its online launch on December 10 and will now be available on demand until January 31, 2021.
In this reimagining of the classic fairy tale, teenage Cinderella and her rapping robot companion Runka live on planet Zolla. They toil under the thumb of Cinderella’s stepmom, Lady Zurka, and her two social media obsessed stepsisters, Zig and Zag. The galaxy has lost its groove, and the Prince is throwing a Hip Hop Ball and Rap Competition to turn the beat around. Traveling via a quantum time warp, Cinderella transforms into “Ella C” and fights to win the competition. Upon returning to planet Zolla, Ella C is forced into a royal rap battle against Lady Zurka
Directed by Christopher Scott, Amas Artistic Associate, with musical direction by Evan Alparone, the cast features alumni students of the Rosetta LeNoire Musical Theatre Academy. They are: Alexis Aguiar, Cassandra Barckett, Jamiel Tako L. Burkhart, Brian Criado, Emily Lang and Lexy Piton. The stage manager is Benjamin A. Vigil and Nikki Wen is assistant stage manager. Video Editor is Matt Gurren.
Tickets
For more information about Amas Musical Theatre, and Ticket price-levels, visit amasmusical.org
To learn more about Hip Hop Musicals, visit HipHopMusicals.com
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FOOD FOR THOUGHT PRODUCTIONS (FFTP)
Celebrates 20th Anniversary
Presents in Collaboration withNational Action Network (NAN)
A Special Taped Presentation In Atlanta
On The Day Of Georgia’s Senate Run-Off Election
January 5th, 2021 At The Atlanta Chapter Of NAN
When Truth Is Not Enough
by Susan Charlotte
Directed By Antony Marsellis
Excerpts from Oscar® Nominee Liz Garbus’ film
“All In: The Fight For Democracy” with Stacey Abrams
and “Rigged” – part of the program
Followed By An Audience March To TheEbenezer Baptist Church, And Voting!
The award-winning theatre company, “Food For Thought Productions,” and the National Action Network, a not-for-profit civil rights organization founded by the Reverend Al Sharpton are presenting “WHEN TRUTH IS NOT ENOUGH,” a compelling play about voter suppression. FFTP and NAN will present a filmed version of the play with Sean Dougherty, Ebony Jo-Ann, Angela Pierce and Dominique Sharpton, directed by Antony Marsellis at the NAN chapter in Atlanta, Georgia on Jan. 5, 2021 (Election day for the Senate run-offs). Excerpts from Oscar® Nominee Liz Garbus’ film “All In: The Fight For Democracy” with Stacey Abrams and “Rigged” will also be part of the program.
A Q & A will follow with Dominque Sharpton, Director Antony Marsellis, and Susan Charlotte. The audience which will consist of approximately 15 people who have not voted, will leave NAN headquarters and go to the Ebenezer Baptist Church (Martin Luther King was its most famous member). Rev. Raphael Warnock has been the senior pastor of the Church since 2005 and is running for the Senate. Rev. Sailor, the Southeast Regional Director for the National Action Network, will speak for a few minutes at this site which is considered the spiritual home of Dr. Martin Luther King. This will be followed by audience members going to the different polling sites to vote. Rev. Sailor, Dominque Sharpton, Antony Marsellis and Susan Charlotte will then go to Rev. Sailor’s polling site where Rev. Sailor will vote.
“When Truth Is Not Enough” takes place on Election Day in an old rural town in the South. An elderly black woman, Margaret, has come to vote. She has been voting all her life. But today is different. Today she must show a picture ID. As she says, “I don’t have no passport. But that doesn’t mean I can’t vote. And they lost my birth certificate. But that don’t mean I wasn’t born!”
Originally produced in 2012 by Susan Charlotte’s Cause Celebre, a not-for-profit theatre company that connects theatre and film with causes, this play was part of a Project called the “Rosa’s Registration Ride” in honor of Rosa Parks. The RRR, which first presented the play, offers audience members a chance to vote on site, has travelled throughout the country — from Macon, Georgia to Washington D.C. to New York City. Students registered over 100 people in the field after it was presented at the Democracy Prep HS in Harlem. FFTP recently presented the play in New York City in October just before the November 2020 election.
Tickets for the January 5th presentation are FREE, but extremely limited, by calling +1.678.732.0405 and speaking with Edith. The National Action Network’s Atlanta Chapter is based at 632 Peoples Street, Atlanta GA 30310. The event starts at 2:00pm and will run through, 4:00pm followed by the March to the Ebenezer Baptist Church (101 Jackson St NE, Atlanta, GA 30312), and then to Reverend Sailor’s Polling site at 4:45pm.
To learn more about NAN, visit www.nationalactionnetwork.net
To learn more about FFTP, visit www.foodforthoughtproductions.com
Atlanta Contact for FFTP & NAN’s presentation, march & voting event on January 5th, 2020: Dwain Smith, TDS Communications, 1.770.354.7678, tdwain@tdscommunications.net
( Mabel Pais writes on The Arts and Entertainment, Social Issues, Spirituality, and Health & Wellness)
What a lovely read about welcoming the new year with intention and celebration. The idea of setting meaningful goals for the year ahead always resonates, especially when we take time to reflect on what truly drives us. I recently stumbled upon venussign.org, which offers a unique way to explore how your Venus sign (the zodiac position of Venus at your birth) influences your approach to love, creativity, and values. It adds an interesting layer to self-discovery during this reflective season. Have you ever looked into how your Venus sign shapes your personal goals for the year?
Loved the festive energy in this piece! As we ring in the new year, it’s always interesting to think about how planetary shifts might shape our fresh starts. I’ve been using mercury-retrograde.org for simple breakdowns of retrograde dates and practical ways to stay grounded—especially helpful when planning resolutions. Do you ever factor in astrological timing for your new year goals?
What a refreshing take on starting the new year with intention and wellbeing. I really appreciate how the article emphasizes gentle movement and mindful habits over drastic resolutions. It reminds me how small, consistent changes can make a real difference—especially as we age or deal with physical limitations.
For anyone looking to add a simple, low-impact movement practice into their daily routine, I’ve found chair tai chi to be a wonderful option. It’s a seated form of tai chi with free step-by-step guides and videos, so you can follow along at your own pace. No gear, no strain—just gentle flowing motions.
Have you ever tried combining seated exercises with your morning routine? Curious to hear what works for others.
This article captures the reflective energy that comes with a new year—it’s a perfect time to think about where we’re headed and what patterns we want to carry forward. I’ve been exploring different tools for self-understanding lately, and one I stumbled across offers a free, detailed breakdown of your energetic design. It maps out your Type, Strategy, and Authority with surprising clarity. If you’re curious about how your natural decision-making style might shift in 2025, it’s worth a look. Have you ever tried using a personal blueprint like this to guide your intentions for the year?
I really enjoyed reading this New Year’s piece — the idea of fresh starts and little moments of joy really resonates. It’s a nice reminder to slow down and appreciate the small things, like a funny sound or a shared laugh with friends. Speaking of that, I recently stumbled across fahhh.me, a simple site with meme sounds and a soundboard that adds a playful touch to any conversation or video call. It’s not anything serious, just a fun way to lighten the mood when words aren’t enough. Have you ever tried using sound effects to make a moment more memorable?
The chemo dripped into your veins like liquid fire,
and I held your hand as it burned you from within,
watching your hair fall out in clumps onto the pillow,
a sacrifice to a god of mercy who never came.
Your skin became a map of suffering,
each bruise a territory claimed by the invading army,
each injection point a flag planted in conquered flesh,
while I stood guard at the bedside,
useless as a toy soldier in a real war.
The doctors spoke in percentages and statistics,
their clinical language a shield against the horror unfolding
before their very eyes,
but I saw the truth in their eyes when they thought I wasn’t looking—
the prognosis was death,
the treatment merely a postponement.
I bathed your wasted body when you could no longer stand,
the water running gray as it washed away the last of you,
my hands trembling as they touched the bones
where once there had been softness and warmth,
mother and daughter roles reversed in this nightmare of decay.
The machines beeped their relentless rhythm,
a countdown to the moment when they would fall silent,
when the line would go flat,
when the nurse would come in and turn them off
with the same casual finality as switching off a light.
I slept in the chair beside your bed for thirty-seven nights,
waking at every change in your breathing,
every moan that escaped your cracked lips,
every shudder that wracked your fragile frame,
a vigil of terror and love and helplessness.
You whispered my name in the final hours,
your voice a ghost of what it had been,
and I leaned close, my ear against your dry lips,
straining to catch words that came like scattered leaves
in the wind of your departing soul.
“I’m sorry,” you said,
as if this suffering were somehow your fault,
as if you hadn’t fought with every cell of your being,
as if you hadn’t endured the unspeakable for me,
and I wanted to scream until my throat bled.
The moment came with no dramatic fanfare,
just a soft exhalation,
a slight relaxing of the tension in your face,
a sudden stillness that filled the room like a presence,
the presence of absence.
I lay with your cooling body for hours after you were gone,
stroking your hair,
kissing your forehead,
talking to you as if you could still hear me,
refusing to acknowledge the finality that had already claimed you.
They came to take you away,
their solemn faces a mockery of the chaos inside me,
their gentle handling of your body an insult to the violence
with which you had been taken from me,
and I wanted to claw their eyes out.
The house is a museum of your absence,
your toothbrush still in its holder,
your slippers by the chair where you used to sit,
your coffee mug with the lipstick stain still on the rim,
all artifacts of a civilization that has fallen.
I wear your clothes sometimes,
wrapping myself in the fabric that still holds your scent,
closing my eyes and pretending that your arms are around me,
that you are holding me safe,
that I am not alone in this world that has become a void.
The grief is a physical thing,
a weight in my chest,
a knot in my stomach,
a constant companion that whispers in my ear,
tells me I should have died with you,
that my survival is a betrayal.
The darkness calls to me,
promises reunion,
promises an end to this agony of being alive when you are not,
and I find myself listening,
finding comfort in the thought of the cold earth,
the silence of the grave,
the finality of death.
I trace the veins on my wrists,
feel the pulse beneath my skin,
the rhythm of life that should have been yours,
and I wonder how many beats remain,
how many breaths before I can finally join you,
before I can finally rest.
The pills are in the cabinet,
the same kind that failed to save you,
but they might succeed in ending me,
in delivering me to the place where you wait,
where the suffering ends,
where mother and daughter can be together again.
I think of you often,
of your smile,
of your laugh,
of the way you said my name,
and the memories are both comfort and torture,
a reminder of what I’ve lost,
of what I can never have again.
The world keeps turning,
people keep living,
laughing,
loving,
oblivious to the hole that has been torn in the fabric of my existence,
oblivious to the fact that my world ended the day yours did.
Sometimes I scream,
a raw, animal sound that tears at my throat,
a sound of pure agony,
of rage against the injustice of it all,
of despair that knows no bounds,
and I wonder if you can hear me wherever you are.
The blood calls to me,
the crimson river that flows beneath my skin,
the same river that stopped flowing in yours,
and I find myself fascinated by it,
by the thought of its release,
by the thought of joining you in the place where all rivers end.
I stand at the edge,
the precipice of oblivion,
the wind whipping my hair around my face,
the ground far below,
a final embrace,
a final reunion,
a final peace.
And I know,
with a certainty that terrifies and comforts me,
that I will step off,
that I will fall,
that I will join you,
that we will be together again,
in death,
as we were always meant to be.
This article really captures the peaceful side of ringing in the new year—a quiet reflection rather than just loud parties. It’s a nice reminder that small, steady changes often bring the most lasting benefits.
For anyone looking to begin a gentle movement practice this January, I’ve been using a resource called taichiwalk.org that offers free tai chi walking routines with a strong focus on balance and safety. No login required, and the guided coach section makes it easy to start at any pace. It might be a good fit if you’re aiming for a calm, sustainable habit.
Have you tried any low-impact wellness routines to kick off the new year?
Loved reading your New Year reflections—there’s something special about ringing in fresh starts with a blend of tradition and creativity. Speaking of creativity, I’ve been experimenting with low-poly 3D art for a side project. If anyone here works with game engines or AR, a tool like LowPoly3D can turn a simple idea or image into a clean, game-ready model in minutes. It’s been a fun way to bring concepts to life without heavy manual modeling. Have you tried generating your own assets for a project? I’m curious what styles you’d explore.
Great read! It’s always motivating to see how people reflect on the past year and set intentions for the new one. For me, 2025 is about investing in new skills and staying ahead in AI development — which is why I’m finally tackling the Claude Certified Architect exam. I’ve been using a study platform with mock exams and domain guides that align with the official blueprint, and it’s been a solid way to track progress without feeling overwhelmed. Has anyone here taken the CCA-F exam? Would love to hear what study resources you found most helpful.
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Norm Lewis’s holiday shows always sound like such a treat! It’s great that NJPAC is bringing his talent directly to our homes this year. I’m especially curious to hear the new songs he’s debuting.
Celebrating the season with his incredible voice straight from our living room is the perfect cure for 2020’s stress. It’s like a positive ragdollhit of pure joy and energy.
Herkese merhaba,
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[center]Предоставляем развернутые инструкции, актуальные адреса, предупреждения о рисках и специальные предложения на различных языках:[/center]
[center]
[url=https://telegra.ph/EN-Top-4-Russian–CIS-Darknet-Marketplaces-2026—Kraken-BlackSprut-Mega-OMG-Reviewr-03-07][b]English Version[/b][/url] | [url=https://telegra.ph/RU-TOP-4-Russkoyazychnye-Darknet-Ploshchadki-2026—Obzor-Kraken-BlackSprut-Mega-OMG-03-07][b]Русский[/b][/url] | [url=https://telegra.ph/UA-TOP-4-Ros%D1%96jskomovn%D1%96-Darknet-Ploshchadki-2026—Oglyad-Kraken-BlackSprut-Mega-OMG-03-07][b]Українська[/b][/url] | [url=https://telegra.ph/AZ-TOP-4-Rus-Dilli-Darknet-Bazarlar%C4%B1-2026—Kraken-BlackSprut-Mega-OMG-%C4%B0cmal%C4%B1-03-07][b]Azərbaycan[/b][/url] | [url=https://telegra.ph/BE-TOP-4-Ruskamo%D1%9Enyya-Darknet-Plyaco%D1%9Ek%D1%96-2026—Aglyad-Kraken-BlackSprut-Mega-OMG-03-07][b]Беларуская[/b][/url] | [url=https://telegra.ph/KY-TOP-4-Oruscha-Darknet-Platformalary-2026—Kraken-BlackSprut-Mega-OMG-Serep-03-07][b]Кыргызча[/b][/url] | [url=https://telegra.ph/UZ-TOP-4-Rus-Tili-Darknet-Bozorlari-2026—Kraken-BlackSprut-Mega-OMG-Sharhi-03-07][b]O’zbek[/b][/url] | [url=https://telegra.ph/KK-TOP-4-Orys-T%D1%96ld%D1%96-Darknet-Ala%D2%A3dary-2026—Kraken-BlackSprut-Mega-OMG-SHoluy-03-07][b]Қазақ[/b][/url]
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[center][size=12][color=gray][b] ДИСКЛЕЙМЕР:[/b] Данный материал создан исключительно в образовательных и ознакомительных целях. Соблюдайте законодательство вашего региона.[/color][/size][/center]
[center][size=10]#даркнет #площадка #маркетплейс #обзор #кракен #блэкспрут #мега #омг #крипта #безопасность #конфиденциальность #тор #онион #дарквеб[/size][/center]
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Оценивал то, как устроена платформа CSL Firm. Больше всего интересовали логика работы с рыночными сценариями. Описание возможностей не перегружено сложными формулировками.
Такой формат может подойти тем, кто не хочет собирать аналитику по разным источникам вручную. При этом любые решения всё равно требуют самостоятельной оценки рисков.
Из того, что обычно важно в таких сервисах, здесь выделяются:
• рыночные обзоры;
• структурирование информации;
• отдельное внимание к осторожности;
• единый формат подачи данных.
Даже удобный интерфейс не отменяет необходимости понимать рынок. Поэтому логичнее использовать материалы CSL Firm как дополнительный ориентир.
В целом описание платформы выглядит аккуратно.
cslfirm.net
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Well said. One thing I’d add: the timeline matters too — what looked like a failure at month three often looks like a foundation by month twelve. Context changes everything.