Tag: Ashwini Ramaswamy

  • RAGAMALA DANCE CONTINUES 30TH ANNIVERSARY CELEBRATION

    Ashwini Ramaswamy with dancers. (Photo: Courtesy ragamaladance.org)
    • By Mabel Pais

    Ashwini Ramaswamy & Kevork Mourad’s ‘Invisible Cities,’ world premiere, will be presented both livestream and in-person on January 27 & 28, 2023 at 7:30 pm at the Cowles Center’s Goodale Theater, 528 Hennepin Avenue, Minneapolis, MN. This two-night engagement is part of Ragamala Dance Company’s 30th Anniversary Season. The event is a collaborative presentation of The Great Northern Festival, The Cowles Center, and Northrop.

    Bharatanatyam choreographer and dancer Ashwini Ramaswamy (Ragamala Dance Company), deepens a choreographic methodology she began in 2019 with ‘Let the Crows Come’ — named a “Best of the Year” in The Washington Post and a critic’s pick in The New York Times. ‘Invisible Cites’ is a collaborative reimagining of Italo Calvino’s metaphysical novel, interweaving cultural perspectives with a dynamic group of dance artists — Ranee and Aparna Ramaswamy (Bharatanatyam); Berit Ahlgren (Gaga), Alanna Morris (Modern), and Joseph Tran (Breaking), and visual artist Kevork Mourad, who creates Invisible Cities’ interactive, immersive projections in real time. Ranee and Aparna join Ashwini as guest choreographers and performers on this work.

    TICKETS

    For more Information & Tickets, visit thecowlescenter.org/2023/invisible-cities

    CHOREOGRAPH YOUR CLASSIC EVENT

    ‘Choreograph Your Classic’ event takes place on January 19, 2023, at Magers & Quinn Booksellers.

    Ashwini Ramaswamy, lead choreographer of Invisible Cities, and Will McGrath (author, Everything Lost is Found Again, Farewell Transmission) discuss her process of adapting Italo Calvino’s book as a multi-faceted dance performance (premieres January 27 and 28, 2023). Long an inspiration for artists of many disciplines, Calvino’s 1973 novel is a meditation on the environments all around us. The ‘Invisible Cities’ performance will evoke the book’s themes through movement communicated via four dance traditions: Bharatanatyam (Classical Indian), Modern/African Diasporic, Breaking, and Gaga, as Syrian-American digital artist Kevork Mourad fills the space with live illustrations. Ramaswamy and the other lead choreographers Alanna Morris, Berit Ahlgren, and Joseph ‘MN Joe’ Tran will describe their process of finding cohesion and harmony among the myriad perspectives they bring to their work.

    Ragamala Dance Company

    Ragamala Dance Company was founded in 1992 by Ranee Ramaswamy and is under the leadership of Artistic Directors Ranee Ramaswamy and Aparna Ramaswamy, and Choreographic Associate Ashwini Ramaswamy (respectively, mother and daughters). Their guru, the legendary Bharatanatyam artist Alarmel Valli of Chennai, India, has guided their training for almost 40 years, imparting her rare combination of aesthetic brilliance, emotive depth, and physical rigor. Ranee and Aparna have ushered this lineage into their own imaginative ecosystems, infusing it with their personal experiences as diasporic artists. Ragamala has become the standard bearer for Bharatanatyam dance in the United States, and has been called “soulful, imaginative, and rhythmically contagious” (The New York Times) and “a wholly magnificent piece of live art” (The Chicago Tribune). We are a pioneering, intergenerational, family-run organization committed to the idea that while history is time bound, the stories we share are timeless. Ragamala engages in a collaborative practice with myriad artists and aesthetics and is rooted in the idea of Bharatanatyam as a dynamic living tradition.

    Ranee Ramaswamy (mother of Aparna & Ashwini) serves on the National Council on the Arts, appointed by President Barack Obama. Among her recent awards and honors are a Guggenheim Fellowship, Doris Duke Performing Artist Award, Bogliasco Foundation Fellowship (Italy), Rockefeller Foundation Bellagio Center Research Fellowship (Italy), United States Artists Fellowship, and McKnight Distinguished Artist Award.

    Aparna is a recipient of a Guggenheim Fellowship, Doris Duke Performing Artist Award, Bogliasco Foundation Fellowship (Italy), Rockefeller Foundation Bellagio Center Research Fellowship (Italy), Joyce Award, and Bush Fellowship for Choreography, among others, and has been selected as one of Dance Magazine’s 25 to Watch for 2010.

    Ashwini is the lead choreographer and director of ‘Invisible Cities. Her work has been commissioned by The Liquid Music Series, The American Dance Platform, Macalester College, and The Great Northern Festival, among others.

    Learn more at ragamaladance.org

    The Great Northern

    To more information on The Great Northern, visit the greatnorthernfestival.com or follow along on social media

     @TheGreatNorthernFestival on Facebook and Instagram and

    @greatnorthern on Twitter.

    The Cowles Center

    Learn more at thecowlescenter.org/2023/invisible-citiesthecowlescenter.org or follow @thecowlescenter on Facebook and Instagram.

    Northrop

    For more information, visit npnweb.org

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    WORLD’S BELOVED BALLET COMES TO LIFE AT NJPAC

    ‘Sleeping Beauty’ dancers. (Photo: Courtesy NJPAC)
    • By Mabel Pais

    SLEEPING BEAUTY

    Sunday, January 15, 2023 @ 6PM @ Prudential Hall

    Sleeping Beauty is one of the world’s most beloved ballets and one of Tchaikovsky’s most captivating masterpieces. The tale of a princess cursed to sleep for 100 years comes to life with The State Ballet Theatre of Ukraine, who perform dazzling choreography adapted from the legendary Marius Petipa. Tchaikovsky himself declared Sleeping Beauty his best work, and audiences of all ages will enjoy the colorful costumes, festive music and charming fairytale love story.

    TICKETS

    For Tickets, visit njpac.org/event/sleeping-beauty-the-state-ballet-theatre-of-ukraine

    (Mabel Pais writes on The Arts and Entertainment, Social Issues, Health & Wellness, Cuisine and Spirituality)

  • RAGAMALA TRIOUSHER IN NEW SEASON

    Ranee Ramaswamy. (Photo : Grant Halverson)
    Aparna Ramaswamy. (Photo / Dariel Sneed)
    Ashwini Ramaswamy. (Photo / David Johnston.)

    By Mabel Pais

    The Ragamala Dance Company (founded under the leadership of Ranee Ramaswamy and Aparna Ramaswamy (mother-daughter duo) announces its 2021-22 season, featuring the world premiere of “Fires of Varanasi: Dance of the Eternal Pilgrim,” performances of choreographer-associate (daughter of Ranee Ramaswamy) Ashwini Ramaswamy’s “Let the Crows Come,” podcast episodes, and panel appearances. The Company will tour the country through April 2022 and will conclude the season with a residency at the Bogliasco Foundation in Bogliasco, Italy.

    Ranee and Aparna Ramaswamy’s award-winning, internationally recognized bharatanatyam dance ensemble will perform the world premiere of the Kennedy Center co-commission “Fires of Varanasi” on the REACH campus from September 11-12 as part of the Center’s 50th Anniversary weekends and Millennium Stage Summer Series, before bringing the piece to The Hopkins Center for the Arts at Dartmouth College on September 17-18 and The Joyce Theater in Manhattan from September 22-26.

    The performances have been hailed as “soulful, imaginative and rhythmically contagious… every gesture radiates joy or generosity or a sense of striving toward some higher form of being,” by The New York Times.

    Rooted in the expansive South Indian dance form of Bharatanatyam, Ragamala Dance Company manifests a kindred relationship between the ancient and the contemporary. In their latest evening-length performance, “Fires of Varanasi: Dance of the Eternal Pilgrim,” eleven dancers conjure a realm where time is

    suspended and humans merge with the divine. Award-winning creators Ranee Ramaswamy and Aparna Ramaswamy imagine a metaphorical crossing place that enters into a ritualistic world of immortality, evoking the birth-death-rebirth continuum in Hindu thought to honor immigrant experiences of life and death in the

    diaspora. The work features an original, recorded score and the lighting designs of French scenic and lighting designer Willy Cessa.

    Evoking mythography and ancestry, Ashwini Ramaswamy’s “Let the Crows Come” uses the metaphor of crows as messengers for the living and guides for the departed. This 60-minute work for three dancers with live music explores how memory and homeland channel guidance and dislocation. Featuring Ramaswamy (Bharatanatyam technique), Alanna Morris-Van Tassel (Contemporary/Afro-Caribbean Diasporic technique), and Berit Ahlgren (Gaga tech-nique), Bharatanatyam dance is deconstructed and recontextualized to recall a memory that has a shared origin but is remembered differently from person to person. Composers Jace Clayton (dj/rupture) and Brent Arnold extrapolate from Prema Ramamurthy’s original Carnatic (South Indian) score, utilizing centuries-old com-positional structures as the point of departure for their sonic explorations.

    2021/2022 SEASON SCHEDULE:

    “Returning to the Earth” (Virtual event)

    Pre-filmed online performance and panel discussion as part of the Just Festival in Edinburgh

    August 25, 2021 at 1:30PM ET, Edinburgh, Scotland

    “Fires of Varanasi,” Logo. (Photo : Ed Bock)

    World premiere of “Fires of Varanasi”

    September 11 and 12, 2021 at 7:30 PM, the Kennedy Center, Washington, D.C.

    (Rain Date: September 13 at 7:30 PM)

    “Fires of Varanasi” (proscenium stage premiere)

    September 17 at 7:30 PM and 18 at 2 & 7:30 PM ET, Hopkins Center for the Arts at Dartmouth College, New Hampshire

    “Fires of Varanasi” (New York premiere)

    September 22-26, 2021, The Joyce Theater

    For Tickets,visit joyce.org/performances/ragamala-dance-company

    “Let the Crows Come”

    October 2, 2021, Bryn Mawr College Performing Arts Series in Pennsylvania

    For Tickets, visit brynmawr.edu/performing-arts-series/ramaswamy

    “Let the Crows Come”

    November 20 and 21, 2021, Cowles Center in Minneapolis

    “Fires of Varanasi”

    December 2, 2021 at 7:30PM, Harris Theater, Chicago, IL

    For Tickets, visit harristheaterchicago.org/tickets/2021-2022-season/fires-of-varanasi

    “Subcontinuity: Voices from the South Asian Diaspora” podcast launches via PRX

    January 2022

    “Let the Crows Come”

    January 15, 2022 at 8PM, Scottsdale Center for the Performing Arts, Scottsdale, AZ

    For Tickets, visit scottsdaleperformingarts.org/event/ashwini-ramaswamy-let-the-crows-come

    Release of second “Subcontinuity” podcast episode\

    February 2022

    Ashwini Ramaswamy’s work-in-process work “Invisible Cities” Panel discussion and Artist Q&A

    January 31, 2022

    “Fires of Varanasi”

    February 26, 2022, Northrop in Minneapolis

    For Tickets, visit northrop.umn.edu/events/ragamala-dance-company-2022

    “Fires of Varanasi”

    April 9, 2022, The Soraya in North Ridge, CA

    Ramaswamys in residence

    April 19-May 20, 2022, The Bogliasco Foundation in Bogliasco, Italy

    The Ragamala Dance Company

    The Ragamala Dance Company was founded in 1992 by Ranee Ramaswamy and is under the leadership of Artistic Directors Ranee Ramaswamy and Aparna Ramaswamy, and Choreographic Associate Ashwini Ramaswamy (mother and daughters). Rooted in the South Indian dance form of Bharatanatyam, the company has been hailed by ‘The New York Times’ as “rapturous and profound.”

    Driven by the artistic vision of Ranee and Aparna, Ragamala Dance Company is the embodiment of an immigrant story. The company’s work — on stage, in the community, and educating the next generation — exemplifies the intercultural narratives of countless global citizens and evokes a shared sense of humanity.

    Ragamala engages in a collaborative practice rooted in the idea of Bharatanatyam as a sacred and dynamic living tradition. They embody the kindred relationship between ancient and contemporary that is urgently needed in today’s world. Ranee and Aparna’s training under legendary artist Alarmel Valli forms the bedrock of a creative aesthetic that springs from beauty, truth, and spirit. Ragamala is a pioneering, woman-led, intergenerational, family-run organization committed to the idea that while history is time bound, the stories we share are timeless.

    For more information, visit ragamaladance.org.

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    GEENA DAVIS’S BFF LAUNCHES INCLUSIVITY ARM

    By Mabel Pais

    The BFFoundation which produces the Geena Davis-chaired Bentonville Film Festival in Arkansas is launching a production company, Bentonville Way Entertainment (BWE) that, like the foundation and fest will champion women and inclusive voices in filmmaking.

    The new Bentonville Way Entertainment already has a slate of films in the pipeline featuring alumni from past Bentonville fests: Amber McGinnis-directed “Buddy,” the Jennifer Gerber-directed “Has Been Beauty Queen” and “Dealing With Dad” written and directed by Tom Huang. Kristin Mann will serve as Head of Content.

    The three features are currently in pre-production and expected to go into production in late 2021 and early 2022.

    “We are excited that we can further the outcome of our mission by not only amplifying these voices through the festival each year, but also by supporting the production and distribution of inclusive content,” Davis said. “This will help create pathways for change in the industry for our alumni.”

    “With a focus on creating pathways for underrepresented filmmakers, BWE will continue to elevate BFFoundation and create meaningful change in the industry,” said Head of Content at Bentonville Way Entertainment, Kristin Mann.

    To learn more,visit bentonvillewayent.com

    (Mabel Pais writes on Social Issues, The Arts and Entertainment, Spirituality, and Health & Wellness)